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Showing posts from December, 2021

2021 in film

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 Hello and welcome to the my 3rd annual end-of-year celebration for movies. This has quite unpredictable and incredible 2021, from big movies finally coming out after rigorous delays and the return of cinemas across the world. During the past 365 days, I have managed to see 260+ films, with just over half being from this very year, which I'll be focusing on today. I have include honourable mention categories for both performance and film and also split them into 'Streaming' and 'In Cinema' as there were too many movies to pick this year. As always, this is just my opinion. If you like a film I put in the 'worst ' section or disliked a film I put as 'Best', all the power to you. Art is subjective. With that being said here is my 2021 in film, categorised: 'Panda Bear It' by Evan Kidd 'Candyman' by John Gulerserian 'Supernova' by Dick Pope 'KATE' by Lyle Vincent 'The Killing Of Two Lovers' by Oscar Ignacio 'C

December 2021

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All movies I saw in the cinema for first time during the month of December 2021 ranked from worst to best. (SPOILER WARNING FOR ALL FILMS PICTURED!) #6: House of Gucci Much like 'People Just Do Nothing: Big In Japan' back in September, I waited several weeks into 'House of Gucci's theatrical run to watch it, compared to going opening week like with most films I see. Primary reason why, I just did not want to see it, did not interest me at all. Also, the recent negative comments the film's director, Ridley Scott, made toward "millennials and their phones" were stupid and contradicting as most of modern film advertising/promotion comes from phones and social media posts. The potentially only thing that made intrigued me to see 'House of Gucci' was Adam Driver, he was excellent in the beautifully mundane 'Paterson'. Where he played a small town bus driver, writing charming poems. * Wow, this was bad, immensly boring, I honestly tho